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Newsflash Number 14

Sunday, 16 March 2008 17:30 by Writer's Relief Staff

HOT OFF THE PRESS! We love to share our information with writers, and we’re happy to pass some of our INSIDER’S SECRETS along to you. Feel free to print these posts to use as a reference. Pass the links along to your writer friends. It’s packed with great information. DEADLINE-DATED lists of anthologies, theme issues, and contests are included at no charge!

In This Issue:

* * LOTS OF HELP for CHILDREN’S BOOK AUTHORS—100 CONTACTS and Everything You Need To Know To Submit Your Children’s Book. Click this link to get our insider's tips and tricks: http://www.WritersReliefBlog.com/post/For-Childrens-Book-Authors.aspx   

* * You've heard of the seven dwarfs. Now you've got SEVEN FUNDAMENTAL COMMA RULES at your fingertips.

* * Are you afraid to ask for help? Have professors or other professionals insisted that you do it yourself? Read DO YOU FEEL GUILTY IF YOU ASK FOR HELP?

* * THE SCOOP ON SENTENCE FRAGMENTS as per the grammar police.

* * Read about our NEWEST E-book, entitled UNTANGLING WEB SUBMISSIONS: ESSENTIAL GUIDE TO PUBLISHING YOUR WRITING ONLINE. http://www.WritersReliefBlog.com/post/Untangling-Web-Submissions-Essential-Guide-To-Publishing-Your-Writing-Online.aspx.

* * You won’t find a better list anywhere (AND IT’S FREE!) of upcoming ANTHOLOGIES, SPECIAL-THEMED JOURNALS, and CONTESTS. Visit: http://WritersReliefBlog.com/post/Anthologies-Contests.aspx.

Scroll Down to Read These Exciting and Useful Articles!!  

Seven Fundamental Comma Rules

Sunday, 16 March 2008 17:27 by Writer's Relief Staff

The comma "rule" that many of us learned—to place a comma anywhere we think a reader should pause—often results in muddled, nearly incoherent sentences like the following:

When Susan was a child, she wanted to be an astronaut, or a doctor, or a banker, but when she graduated from high school, she decided, that she would like to become an artist, and live in a big, exciting, fun city.

This "rule" is, of course, not a rule at all, and following it made the sentence above very difficult to read. Are all nine commas really necessary? Let's check the seven fundamental comma rules.

Comma Rule 1: Use a comma before coordinating conjunctions that join independent clauses.

Coordinating conjunctions: and, but, for, nor, or, so, yet

Independent clause: a word group that contains at least one subject, at least one verb, and expresses a complete thought; also called a sentence.

Example: Tom enjoys writing poetry, and he has submitted several poems to regional literary magazines.

Comma Rule 2: Use commas to separate items in a series.

Example: She bought bread, milk, cookies, and juice.

Example: Of the three children, Becky is the oldest, James is the youngest, and Jack is the middle child.

Comma Rule 3: Use a comma after introductory words, phrases, and clauses.

Example: Quietly, she tiptoed past the sleeping child. (introductory word)

Example: Running quickly, Marjorie arrived at the bus stop before the bus pulled away. (introductory phrase)

Example: After he finished his homework, Brian read The Great Gatsby. (introductory clause)

Comma Rule 4: Use commas to set off nonrestrictive phrases or clauses from the rest of the sentence.

Nonrestrictive phrase or clause: a phrase or clause that adds nonessential information to the sentence. In other words, if the phrase or clause was removed from the sentence, the sentence would still retain its original meaning.

Example: Several politicians, lawyers, and business leaders attended the conference, which began at 2 p.m. (nonrestrictive clause)

Comma Rule 5: Use a comma between adjectives that modify the same noun.

Hint: If you can put and or but between the adjectives, a comma will probably belong there.

Example: Edgar is a tall, distinguished businessman. (Since we could write tall and distinguished, the comma is necessary.)

Example: When I was in college, I lived in a small brown house next to a filling station. (Since we are not likely to say that we lived in a small and brown house, no comma is necessary between these adjectives.)

Comma Rule 6: Use a comma to separate a direct address from the rest of the sentence.

Example: Becky, please go to the store and buy some milk.

Example: If we don't go soon, Barney, it will be too late.

Comma Rule 7: In direct quotes, use a comma (or commas) to separate the speaker from the quote.

Example: The teacher said, "Please pass your essays to the front of the room."

Example: "I want to go to grandma's house," the child said.

Example: "Drive to the mall," Mother said, "and buy a new sleeping bag for your camping trip."

Comma placement is not difficult if we follow these basic rules. So let's take another look at the first example: How many of the nine commas are necessary? If you said five, you're correct. Here's the sentence as it should be punctuated:

When Susan was a child, she wanted to be an astronaut or a doctor or a banker, but when she graduated from high school, she decided that she would like to become an artist and live in a big, exciting, fun city.

The first comma in the sentence follows rule 3: Use a comma after introductory words, phrases, and clauses.

The second comma follows rule 1: Use a comma before coordinating conjunctions that join independent clauses.

The third comma follows rule 3: Use a comma after introductory words, phrases, and clauses.

The fourth and fifth commas follow rule 5: Use a comma between adjectives that modify the same noun.

Comma placement can be tricky, but if we follow the fundamental rules, it can—and will—become second nature.

Do You Feel Guilty If You Ask For Help?

Sunday, 16 March 2008 17:25 by Writer's Relief Staff

Hard as it is to admit, we all need a little help at times. We depend on doctors, lawyers, accountants, even professional tree trimmers, when their expertise can make our lives a little easier. And let's face it—life is hard enough without trying to do everything ourselves.

That's the philosophy behind Writer's Relief. We make it our business to take the work out of getting published. We don't offer to do the writing for you—but we do offer a valuable service to those who have the talent, perseverance, and courage to offer up their work to readers.

At Writer's Relief, we draw from years of experience to smooth the way for our writers—if we feel a piece is likely to capture an editor or agent's attention, we use proven methods to help that piece find its way to print. It requires research, contacts, and organization, backed by our years of experience since 1994, but that's what we specialize in doing. And we have a proven track record of success.

Submission is a tedious, thankless process, one that many writers simply don't have the time, and sometimes the courage to face. And they're not alone. Many well-known authors ran the submission gauntlet, ending up rejected and frustrated and finally publishing their work themselves. CS Lewis sent more than 800 manuscripts before he made a sale; Ray Bradbury, also around 800. Alex Haley received 200 rejections before reaching success with Roots. Robert Persig's classic, Zen and the Art of Motorcycle Maintenance, couldn't get started at 121 publishing houses. And e.e. cummings dedicated The Enormous Room, which he self-published, to the publishers who had rejected it. Other famous authors who chose the self-publishing route—James Joyce, Beatrix Potter, Anaïs Nin, Mark Twain, Upton Sinclair (to name but a few)—probably did so out of sheer frustration with the submission process!

Writer's Relief also offers formatting, proofreading, and making sure that our writers' finished products are as clean and correct as possible. We know that a careful presentation can be the difference between a haughty sniff and a second look.

It's a well-known fact that Ernest Hemingway completely ignored the rules of punctuation, and spelling just wasn't his "thang." Nor was it W.B. Yeats or Hans Christian Anderson's thang, although they had the additional burden of dyslexia to contend with. F. Scott Fitzgerald was a notoriously bad speller as well, and in a letter of recommendation to his editor, he repeatedly referred to the as yet unknown Hemingway as "Hemmingway." And yet they were all gifted authors.

English spelling appears to be an illogical, often random affair, and there are plenty of confusing exceptions for every rule. Our language is not always phonetic, it's hopelessly complex, and there are far too many rules to remember. One study from Stanford found that more than 300 rules would be required to correctly spell half of our 17,000 most frequently used words! The English language is filled with such land mines as silent consonants (talk, yolk), double letters (vacuum, sapphire), plus a host of everyday words we've stolen from other languages (bureau, ballet, mayonnaise, omelette). Then there are the purely unthinkable combinations that we pass off as words—choir, diphtheria, gherkin, pneumonia—and it's a wunder that anyone can spell anything correctly at all.

Writers are often too close to their work to proofread it effectively, even if they have mastered our ungainly spelling system. At Writer's Relief, our proofreaders do more than check for misspellings. We catch punctuation and grammatical errors that often slip past unnoticed. We flag problems with subject/verb agreement, dangling participles, and formatting errors; we double-check song lyrics, brand names, and quotes; if your character magically transforms from an earl to a lord, our proofers will catch it. We're hunters, tracking inconsistencies in plot, as well as those pesky little homophones that trip everyone up at times. It's simply a matter of having a skilled, objective reader polish your work to perfection.

We have the utmost faith in our writers and their ability to get published—with or without our help. Our writers are intelligent, capable, and dedicated to their craft. We're just here to offer a bit of moral support, a fresh set of eyes, and years of experience navigating the treacherous waters of submission.

So, let us know if you could use a helping hand. We don't want your dreams to be nipped in the butt.

The Scoop on Sentence Fragments

Sunday, 16 March 2008 17:24 by Writer's Relief Staff

Even if it weren't so awkward to read. It would be pretty obvious. That the fragmented nature of these "sentences" is a problem. Worse, they're the hallmark of an amateur writer.

By the third grade, most of us know better than to write scraps and bits instead of complete sentences that include a subject and a verb. We know that a sentence must present a complete thought, and when you leave out the verb, you're left with a sentence fragment. Or a C instead of an A on the midterm. (Oops, there's one now.) As writers, we have certain rules to follow. We also have the creative license to mess around with them a little, and seasoned writers know that using sentence fragments in creative writing doesn't necessarily warrant a visit from the grammar police.

Some examples:

Sentence fragments are often successfully used in poetry, such as this haiku by Bashō.

an old pond-

the sound of a frog

jumping into water

Advertising agencies and copywriters also make frequent use of sentence fragments to add "punch" to their copy. It lends a conversational tone and makes the message more personal, less formal.

Cockroaches in the pantry? Try Roach-Away!

Silk sheets in all the brightest colors. Soft pastels in every hue.

Sheets-N-Stuff has everything you need for spring!

How about political slogans?

Bob Dole. A better man for a better America!

Creative writers often use sentence fragments in dialogue, as this more accurately depicts the patterns of our natural speech.

"Is that you, Mr. Jones? Why don't you pull up a chair and join me?"

"No can do. Too much work to do. Terrible, really."

"I see you're using sentence fragments. Aren't you afraid of retribution?"

"Hardly! Retribution from whom? My high school English teacher?"

To emphasize a point:

"Ridiculous! Utterly ridiculous!"

Or as an afterthought:

"I've searched everywhere," she said, defeated. "Except, perhaps, the drugstore on Main Street..."

The conclusion? It is perfectly okay to use sentence fragments in creative writing, as long as you, the author, recognize them for what they are and what they're used for. Be careful, however, and use them sparingly—otherwise, your writing may sound choppy or, worse, you could face a visit from your high school English teacher.

REMEMBER TO CHECK OUT OUR LIST OF WRITING CONTESTS and ANTHOLOGIES! You won’t find a better list anywhere (AND IT’S FREE!) of upcoming anthologies, special-themed journals, and contests. Find it by visiting:
http://www.writersreliefblog.com/post/Anthologies-Contests.aspx