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Writer’s Relief Newsflash Number 5

Saturday, 8 March 2008 23:10 by Writer's Relief Staff

HOT OFF THE PRESS! We at Writer’s Relief love to share our information with writers, and we’re happy to pass some of our INSIDER’S SECRETS along to you. Feel free to print these posts to use as a reference. Pass the links along to your writer friends. It’s packed with great information. DEADLINE-DATED lists of anthologies, theme issues, and contests are included at no charge!

In This Issue:

* * Expanded information on EXAMINING THE RESILIENCE “R” OF REJECTION, which is useful for all writers dealing with the inevitable and necessary aspects of rejection.

* * Did you know we can create cover/query letters for you? CHOOSE ONE OF OUR THREE LEVELS OF SERVICE. Click here for more information: http://www.WritersReliefBlog.com/post/Three-Levels-Of-Service.aspx.

* * We'll share our views on THE IMPORTANCE OF CRITIQUE FOR SERIOUS AND SUCCESSFUL WRITERS.

* * If you're a poet and you’ve forgotten the difference between a villanelle and a pantoum, read POETICS: FREE VS. FORMAL VERSE.

* * We’ve included some reminders about using APPROPRIATE LANGUAGE WHEN WRITING YOUR HISTORICAL OR CHILDREN’S STORY.

* * Your writing will benefit by keeping our list of CONFUSING WORDS and HOMONYMS near your desk.

* * Read about our NEWEST E-book, entitled UNTANGLING WEB SUBMISSIONS: ESSENTIAL GUIDE TO PUBLISHING YOUR WRITING ONLINE. http://www.WritersReliefBlog.com/post/Untangling-Web-Submissions-Essential-Guide-To-Publishing-Your-Writing-Online.aspx

* * You won’t find a better list anywhere (AND IT’S FREE!) of upcoming ANTHOLOGIES, SPECIAL-THEMED JOURNALS, and CONTESTS. Visit: http://WritersReliefBlog.com/post/Anthologies-Contests.aspx.

Scroll Down to Read These Exciting and Useful Articles!!

Examining the Resilience "R" of Responding to Rejection

Saturday, 8 March 2008 23:07 by Writer's Relief Staff

Excerpted from our Rejoice in Rejection Insider's Manual. How to deal with rejection letters in the creative writing and publishing business.

Resilience: Use the steps outlined in our previous post on The R's of Rejection to help you develop the ability to recover and adjust easily to the rejection that is a necessary part of your writing life.

With this in mind, developing a thick skin to the submission process and rejections can be difficult. No one knows that better than we do. Writer's Relief has been helping writers rethink rejection (and get more acceptances) since 1994!

Here are some statistics and information about the number of submissions, acceptances, and publications at literary journals and magazines:

Cream City receives 300/month, accepts only 6 for each issue
Florida Review: 200/month, accepts 4-6 for each issue
Gettysburg Review: 350/month, accepts 4-6 for each issue
Georgia Review: 300/month, accepts 3-4 for each issue
Hayden's Ferry Review: 250/month, accepts 5 for each issue
Indiana Review: 5,000/year, accepts 50 for each issue
Iowa Review: 600/month, accepts 4-6 for each issue
Midwest Quarterly: 350/month, accepts 5 for each issue
Missouri Review: 400/month, accepts 5-6 for each issue
North Dakota Quarterly: 120/month, accepts 4 for each issue
Paris Review: 1,000/month, accepts 5 for each issue
Prairie Schooner: 500/month, accepts 4-5 for each issue

Some True Stories About Famous Writers Who Were Rejected
--C.S. Lewis and Ray Bradbury submitted more than 800 manuscripts before they made a sale.
--Nabokov was told by one editor that Lolita should be "buried under a large stone."
--F. Scott Fitzgerald was told, "You'd have a decent book if you'd get rid of that Gatsby character."
--Dr. Seuss's first children's book was rejected by 23 publishers. The 24th sold 6 million copies.
--In 1902, the poetry editor of Atlantic Monthly rejected poems by a 28-year-old who took a road less traveled (Robert Frost) and persevered.

Encouragement For Writers
You must be thinking, "Yeah, but I'm not C.S. Lewis or Robert Frost." Ah, but you have the potential to be.

We know the odds seem staggering. Keep in mind that Writer’s Relief approaches submissions from a marketing perspective.

Say you've sent your latest group of poems, a book query, or a prose piece to 30 markets, and you've only received rejections or light editorial comments. We know you're frustrated by this, but keep in mind that the acceptance rate is one out of 100. This means that the piece you are submitting needs to be seen by at least 100 different markets. Read more about your chances of getting a book published.

Considering the response time from editors can range from three to twelve months, you just might be submitting for a year (or sometimes more) before you see an acceptance. We believe (and this is supported by how long we've been in the business) that each rejection leads you closer to that magic number—and acceptance!

How To Interpret Rejection Letters and Editors’ Or Agents’ Comments
The most common mistake writers make is interpreting criticism sent by editors as "never send to us again." Nothing could be further from truth.

If an editor takes his or her time to send you a personal comment, get another submission in the mail to this journal TODAY! Don't give up!

Very often, you need to make three or more submissions to the same editor before your work is accepted. Above all, you need to make extensive and comprehensive submissions. However, if you're not sure you can handle it alone or know where to start, consider hiring a partner to help you in your submission process. Writer's Relief may help you take the sting out of each rejection because you'll be less personally attached to each submission targeted on your behalf.

The Importance of Critique for Serious and Successful Writers

Saturday, 8 March 2008 23:05 by Writer's Relief Staff

Whether you are working on the first draft of your book, editing your short story, or experimenting with different forms of poetry, getting criticism from fellow writers (and readers) should be a regular part of your creative process. Let's face it: anyone can put words on a page and call it a story, or divide those words up into stanzas and call it a poem. But successful authors know that constructive feedback from a freelance fiction editor, critique partner, or writing group is tantamount to perfecting the craft of writing.

There are many tools that writers who are serious about their craft can use to hone their skills. After struggling with the first draft of a piece, it is best to let it percolate for a while and come back to the page with a fresh eye. No one ever writes "The Road Not Taken" in one sitting. Once a writer has a piece he/she is fairly satisfied with, it's time to send it out into the world for another opinion. Other eyes may see what you have missed, offer a different perspective, and question what you have taken for granted.

It is important that a writer does not exist in a vacuum. There are many quality writing workshops, continuing education courses, informal writing groups, and low-residency MFA programs that afford writers trustworthy outlets for critique.

While you may be tempted to have your mother, your significant other, or best friend read your work, they should not be your only editors. They are not trained to critique, may not understand your work, and may try to preserve your feelings, regardless of their true opinion.

Once you have received feedback from a source you trust, it's back to revising again. Keep in mind you do not have to incorporate all suggestions that have been made. In fact, some writers revise TOO much. Look for the criticism you've received numerous times before changing the voice of your entire novel because one agent decided he or she might like it better if written in third person.

The object of critique is to force the writer to take an objective look at what has been written, evaluate its suitability, tighten the piece where needed, then let your words stand on their own. For more information about editing and critique, read How To Choose A Critique Partner For Your Writing, How To Choose A Freelance Editor For Your Writing, or Writer's Groups.

Free vs. Formal Verse Poetry: A List Of Types Of Poems

Saturday, 8 March 2008 23:03 by Writer's Relief Staff

Poems can be constructed in either free verse or formal verse. This article explains the differences between the various types of poetry and lists types of poems.  

What is free verse poetry? Most poets today write free verse, which is open to pattern and is recognized as nonconforming and rhymeless verse.

What is formal verse poetry? Formal poetry or metrical verse follows “rules” regarding stanza length and meter or rhyme patterns. There are several traditional, commonly-known types of formal poetry.

Editor’s note for writers publishing poetry: Most literary journals do not embrace traditional rhyme and form poetry, preferring the more commonly used free verse. Unless you're the Earl of Rochester or Alexander Pope, it would be best to stick with free verse if you’re trying to get your poetry published in literary magazines and journals.

A List of Some Types of Formal Verse Poetry

Haiku, a form of Japanese descent, consists of three lines of five, seven, and five syllables respectively, and traditionally deals with nature subjects.

A sonnet, whether of English or Italian rhyming scheme, is a single- or two-stanza lyric poem containing 14 lines written in iambic pentameter. Shakespeare's love sonnets are well-known.

The sestina is a six-line stanza followed by a three-line stanza. There is a predetermined pattern in that the same six words are repeated at the end of lines throughout the poem. The last word in the last line of one stanza becomes the last word of the first line in the next stanza. Then, rounding it off with the final three-line stanza, all six end words appear. You may want to read some of Sylvia Plath's sestinas to familiarize yourself with this form.

The villanelle and the pantoum are two forms that are closely related to each other. The villanelle, a nineteen-line poem, is made up of five three-line stanzas and one four-line stanza (or quatrain) at the end of the poem. Alternating between the ends of each tercet (three-line stanza), there are two refrains that eventually end up forming the last two lines of the quatrain. Dylan Thomas's "Do Not Go Gentle Into That Good Night" is an example of a villanelle. The pantoum is comprised totally of quatrains. In each stanza the second and fourth lines are repeated in the first and third lines of the following stanza until the final stanza, where the first line is the poem's first and the second line is the poem's third line. "Evening Harmony" by Charles Baudelaire is an example of a pantoum.

A List of Some Types of Free Verse Poetry
Free verse comes in various forms, the most common being driven by cadence, in which common language rhythm is substituted for regular metrical pattern. Strong cadences can be seen in the works of Walt Whitman and the King James Bible version of The Psalms and The Song of Solomon.

A second type of free verse is free iambic verse, which was used by such poets as T.S. Eliot and W.H. Auden.

A third form is the free verse proper, the most used form, where the inconsistency is at the center of the poem. There is no set metrical rhyme or patterns of meter and rhythm. Unlike traditional verse, free form is not constrained by the rules regulating syllables in stanzas.

There is often confusion as to what is meant by visual poetry. If you have written a very descriptive poem about a whale, it may be a wonderful free verse poem but not visual. If you have written the same poem and the presentation of the piece is in the shape of a whale, you have written a visual poem.

Other various forms of avant-garde poetry related to free verse are surrealism, concrete, and language poetry.

For more about poetry, read Free Verse: The Hidden Rules Of Free Verse Poetry or The Language Of Musicality In Poetry: Vocabulary For Poets.

Writer’s Relief helps poets publish all types of poetry, but mostly we work with free verse poems (since rhyming poetry is not readily accepted by most literary journals).

Use Age-Appropriate or Historically Accurate Language

Saturday, 8 March 2008 23:01 by Writer's Relief Staff

One element of success when writing your historical or children's story is the use of language. It is very important to understand the language spoken during a specific time period. Words that were used as recently as 25 years ago are either not used today or have a different meaning than in the past.

For example, the word balderdash was one of the worst curse words a person could use 150 years ago. It is rarely used today.

Consider what the culture and society were like for the particular group you are writing about. Different cultures may have many words for the same thing. A medieval warrior might be a knight in England, a samurai in Japan, a Shaolin monk in parts of the Far East, or a Teutonic knight in Lithuania. Merchants who were looked upon favorably in western culture were the lowest members of society in China.

What is an anachronism? Definition: An anachronism is an event, person, item, or verbal phrase placed in the wrong historical time period. Here is an example from Shakespeare's Julius Caesar, in Act II, Scene I, lines 193-194.

Brutus: Peace! Count the clock.

Cassius: The clock has stricken three

Of course, the wall clock was invented by the Swiss hundreds of years after the Roman Empire's collapse. Do your research before taking on the giant task of writing a historical work.

In addition, when writing for children, check the text of your manuscript to be certain that words used are age appropriate. Using words that children do not understand is a common mistake among inexperienced writers looking to place their children's books.

For example, if you are submitting a young-reader book, choose words that children ages six to nine will understand. In many picture books humor plays an important role. Children enjoy hearing a book that makes them laugh or giggle.

(How many times will a child ask you to read the same book?) Make sure that the jokes are age appropriate, as well as the reading difficulty. Kids laugh at kooky things. They like visual jokes, corny jokes, silly riddles, far-fetched situations, quick thinking, and the traditional pie in the face slapstick comedy.

Nonsense, absurdity, and exaggerations work for kids. For more information in preparing your stories for children, check out our Insider's Secrets: What You MUST Know To Submit Your Children's Book.

List Of Confusing Words And Homonyms

Saturday, 8 March 2008 23:00 by Writer's Relief Staff

Below is a list of confusing words and homonyms compiled by Writer’s Relief’s expert proofreaders. Learn the differences between these commonly confused terms and phrases.

Ability OR Capacity
Ability refers to the power to do something
Capacity refers to the ability to hold or contain something

Acclamation OR Acclimation
Acclamation refers to an oral vote or praise of some kind
Acclimation refers to adapting to a new climate or environment

Adhere OR Cohere
Adhere means to stick fast, to be devoted, or to carry out a plan
Cohere means to hold together as part of the same thing

Adverse OR Averse
Adverse means difficult or unfavorable
Averse means opposed to

Bad OR Badly
Bad is an adjective describing nouns or pronouns (Joe had a bad feeling about leaving.)
Badly is an adverb (I think he paints very badly.)

Because of OR Due to
Because of refers to cause and effect
Due to should be used with a linking verb (are, was, is, etc.)

Callous OR Callus
Callous refers to having an unfeeling attitude
Callus refers to a thickening or hardening of the skin

Hoard OR Horde
Hoard refers to a hidden find or cache
Horde refers to a crowd or throng

Liable, Libel, Lible, OR Slander
Liable means legally responsible or likely
Libel is damaging someone's reputation in print or other media
Lible is not a word
Slander is an oral statement that damages someone's reputation

List of commonly confused homonyms (words that are spelled similarly but have very different definitions):

ade     fruit beverage
aid      to assist
aide    an assistant
altar    raised center of worship
alter    to change
arc      portion of a circle
ark      vessel
ascent  the climb
assent  to agree
boar     wild pig
boor     a person with rude, clumsy manners and little refinement
bore     not interesting
breach  to break through
breech  lower/rear portion
canvas  rough cloth
canvass to examine thoroughly
carat     unit of weight for precious stones
caret     proofreader's insertion mark
carrot    vegetable
karat     1/24 part of otherwise pure gold
forego   to precede
forgo     to abstain from
heroin   narcotic
heroine female hero
lightening removing weight or darkness
lightning   static electricity from the sky
palate     taste
pallet      a platform for transporting goods; bed
palette   a selection of paint
pincer     clawlike gripping action
pincher   one who pinches
pinscher  terrier
vain     worthless, conceited
vane    flat device that moves with the air
vein     blood vessel
vial     narrow glass container
vile     despicable
viol     stringed instrument
yoke    oxen harness
yolk     yellow center of an egg

Remember: Writer’s Relief can help you format, proofread and market your writing to journals, magazines, and book agents.

REMEMBER TO CHECK OUT OUR LIST OF WRITING CONTESTS and ANTHOLOGIES! You won’t find a better list anywhere (AND IT’S FREE!) of upcoming anthologies, special-themed journals, and contests. Find it by visiting:
http://www.writersreliefblog.com/post/Anthologies-Contests.aspx