self-publishing books, questions
On first glance, self-publishing a book can seem like the best way to get a book into print. And sometimes, it is. But in the publishing industry, it’s always important to look before you leap. And so we’ve devised a series of questions that authors should ask themselves before taking the plunge into self-publishing.

Self-Publishing Your Book: Are You Ready?

Question 1: Do I believe my book is suitable for traditional, advance/royalty-paying publication?

If you’ve studied the market and assessed your competition (as opposed to just having a vague idea about it) and you believe that your book has a chance at finding a home with a traditional publisher, then you may want to hold off on self-publishing. Rule out the traditional route first. Keep reading to learn why.

Question 2: Have I made a good effort to get an agent/book deal?

Some writers will send six query letters to literary agents, then decide they’re hopeless. Others will send a dozen. At Writer’s Relief, we recommend authors try between 75 and 100 markets before reassessing their situation. (More than once, we’ve seen that 99th query letter get results.)

If your book has a chance at making the big leagues, we recommend you try that first, before exploring self-publishing. It can sometimes (but not always) be difficult to transition from self-publishing to traditional publishing.

Question 3: Do I have the right attitude to self-publish?  

If the idea of self-publishing your book is exciting to you, then proceed. You’ll need lots of good energy and motivation to give your self-published book the launch it needs.

If the thought of self-publishing leaves you feeling disappointed, you might want to do some soul-searching before you fork over your funds. Maybe an intense round of revision, networking with people in the biz (at conferences and other events), and an increased focus on craft might be a more joyful way of reaching your publishing goals. Every writer makes his/her own path toward a personal idea of success.

The trick is to follow your heart. If the idea of self-publishing sends a little tingle of optimism up your spine, it’s a good sign you’re heading in the right direction.

Question 4: Do I know what to expect from the self-publishing process?

Many people self-publish with dreams of hitting it big. We’ve all heard stories about self-published books by no-name writers that shook up the best-seller lists (Amanda Hocking, anyone?). But the chances of that happening are about the same as hitting the lottery or being struck by lightning (for the most part). For every one self-published book that you actually hear about via national media coverage, there are tens of thousands that you don’t.

Self-publishing companies report varying numbers, but we’ve heard the average number of self-published books an author might sell is a few hundred, at most. That said, some self-published books will sell into the thousands. It all depends on the strength of the author’s platform and personal networks. It also, of course, depends on the strength of the book.

Question 5: Do I have an appropriate book marketing plan?

Making your book available on the Barnes & Noble website won’t make you a star. How will anyone know it’s there?

Self-publishing goes hand in hand with self-promotion. And that means: blogging, tweeting, Facebooking, book-touring, meeting people, giving stuff away as promotion, advertising, etc. If you’re a go-getter with a clear vision, your advertising dollars might convert into sales.

If you’re not really into self-promotion, that’s entirely okay. There’s nothing “wrong” with selling your book on a few websites and leaving it to chance. Just be emotionally prepared: Expect the worst but hope for the best.

Question 6: Do I have a good support system?

Your self-publisher’s primary job is to design and print your book—and that’s pretty much it (depending on what kind of package you buy). If you have a question about how to land a speaking gig at a library or whom to turn to for Twitter advice, it’s not your publisher’s responsibility to answer.

Few professional book authors go it alone. They have a team of people to help answer questions, make decisions, and offer encouragement. As a self-published writer, it’s a good idea to join a network of people who are trying to do the same thing you’re doing. Ask your family and friends for help. Join an organization of writers. Hop on a forum. Swap ideas. Find out the best places to advertise, the best places to avoid. Enthusiasm is contagious. You’ll learn lots and have fun.

Question 7: Do I have a plan that matches my budget?

There are two big up-front costs to self-publishing:

  1. The cost of paying the company that will create your book.
  2. The cost of advertising, marketing, and publicity.

Ask a lot of questions when you sign with a self-publishing company. Some will seem to be very cheap when a writer signs up, but then authors will pay nearly full price for their actual books (and/or will be required to purchase a certain number of books), leaving no room for the author’s mark-up (and no room for profit). Some self-publishing services will cost a bit more up front, but then will have lower printing costs (so that authors make more money per sale).

After your book is ready, it’s time to promote. Having a big budget for promotion can certainly help get the word out about your book. Some authors “pay” for promotion with their time spent on free social media sites. Getting out there and promoting should be a big part of your plan if you’re hoping to make some strong sales.

word of mouth sells booksBut remember, all the money or promo in the world won’t be able to create a best seller if the book itself does not capture the public’s attention in some way. Word of mouth is a very powerful form of promotion—if not THE most powerful form. But it’s also the element that writers have very little control over. There’s just no telling what will (and will not) catch on.

If your book does well, there’s a chance you’ll recover your investment or even make a profit. Self-publishing can be very rewarding for your wallet and your soul.

Writer QuestionsQUESTION: What self-test questions have we missed? What do you recommend writers ask themselves before self-publishing? 

Marking poetry submissionsToday we thought it might be helpful to compile a blog post that answers common questions we’re asked about submitting poetry in groups. If you’re wondering how to choose the right poems to submit to a literary journal, how many to include, and how to increase your chances of publication, read on!

As always, be sure to read (and follow) an individual literary journal’s guidelines when submitting your poems to an editor. The tips we offer below are suggestions, not rules.

How many poems should I include in a single submission?

Generally, literary journals ask their writers to submit between three and five poems in one submission. Few journals will accept more than ten pages of poetry in one submission. That said, the number of poems you need can vary. So read the guidelines.

Can I submit just one poem at a time?

If you only have one poem and you have very strong reasons for feeling that your one poem would be a perfect fit at a journal but none of your other poems would be, you might want to explain that in your cover letter.

If you only have one poem to submit because you’ve only ever written one poem in your life, you might not want to wait until you have some more poems under your belt.

An editor may be willing to consider your solitary poem if you give him/her a good reason.

Should I group related poems? Or poems that stand alone?

There are no best practices in terms of whether to submit poems that stand alone or poems that are thematically related. But there are pros and cons. We can list them for you below to help you make a decision.

Submitting related poems – The pros

  • If an editor likes your voice, he/she may choose to print all of the poems because they’re related.
  • Long poems that are broken down into many parts can be very compelling. They can demonstrate a big vision.
  • If the poems are about a specific topic (like food), you can submit the group to a journal that focuses on theme (like Gastronomica).

Submitting related poems – The cons

  • If an editor chooses only one poem of your related poems, he/she might “break” the flow of the complete series and also leave the other poems orphaned if they can’t stand alone.
  • If an editor doesn’t dig your voice or theme, you’re sunk…because all the poems are related and possibly sound the same.
  • Generally, it’s easier to get shorter poems published than longer poems. Editors tend to favor one-page poems.

Submitting stand-alone poems – The pros

  • Show off your diversity. If an editor doesn’t like one poem, it’s okay because there are others that are different.
  • Shorter poems are more likely to be published (less than one-page is best).
  • With five unrelated poems you might have a better shot at seeing at least one of them published than with five related poems that can’t be separated.

Submitting stand-alone poems – The cons

  • If an editor really loves one of your poems for its unique qualities, there’s less of a chance he/she will really love the others, which will be quite different.
  • You may need to research a greater number of markets in order to the find just the right homes for all of your individual poems.
  • You’ll have limited ability to submit to theme issues, since only some poems will be appropriate for submission.
  • Even if you’re not grouping by theme, you probably wouldn’t want your kid-friendly rhyme mixed in with your edgy adult free verse.

Writer QuestionsDo you have any questions about poetry submissions? Just ask!

This week, the spotlight is on Jean Howard and her poem, “Fruit Fly,” published first in Painted Bride Quarterly.

Q: What inspired you to write “Fruit Fly”?

I wrote “Fruit Fly” while having lunch on the cafe terrace of MOMA (Museum of Modern Art) in New York.  I was working in New York and, as a treat, I took a long luxurious lunch, after taking the time to view the newest exhibit. By the second course, the fruit fly appeared and became my companion until the last sip of wine.

“Fruit Fly”
—MOMA — NYC

Fat, little BB
of motion,
of minute flight,
weaving prayers
above sugar,
an open mouth
of wine and lemon
wedge.

Dreaming lazily
of summer,
its orchards
ripe and aching,
abstractions of fruit
at sun-cut angles.

Here you dip
toward watermelon,
haystacked with straws
of jicama,
then swerve
toward bleeding fig.

My thoughts go
out to you,
lured by the melody
of ruby flesh
and vinegar.
New York swirling
hot and restless
beyond my table,

I stab into a raspberry.
You’ll drown,
I’m sure,
in blanc de noirs.

You can also read Jean’s poetry in Painted Bride Quarterly, Issue 83, and on her website www.JeanCHoward.com.

writers can protect the earthAuthors have long been a driving force behind environmental consciousness (think Henry David Thoreau, George Perkins Marsh, Rachel Carson, Aldo Leopold), using the power of words and the force of their convictions to broaden awareness and push for change.

As writers, you can get in on the action too! Here’s how…

10 Eco-friendly Practices for Writers

1. Feature environmental themes in your blog or creative writing (short stories, poems, etc.). Write about nature, ecology, conservation, activists who’ve made a difference, or even the butterfly that landed in your backyard.

2. Use your skills to write a compelling letter to local or federal government officials about specific environmental concerns, either in your community or nationwide. You have a special skill; use it for good!

3. Book yourself a writer’s retreat in the mountains, the deep woods—anywhere that will inspire the nature lover in you. (See our listing of conferences and events to get you started.) Or create your own writer’s retreat! Head to your favorite camping site, pitch a tent, rent a cabin, or simply spend the day at the park with a laptop or legal pad.

4. Buy a Nook or Kindle and download books to save paper…and trees.

5. Recycle those ink cartridges (www.freerecycling.com), buy recycled printer paper, and use environmentally friendly inks (www.BarefootPress.com). When possible, print on both sides of the paper.

6. Check out www.EthicalConsumer.org for eco-friendly laptops. Donate your outdated computer to technical schools or companies that refurbish and/or recycle the parts.

7. Submit your writing electronically, and send queries by email. Support online literary magazines and journals by submitting to them regularly and subscribing.

8. Research print magazines and journals that use recycled paper or promote eco-friendly practices, and submit your work to them.

9. If you’re a children’s author, celebrate Earth Day by joining the Authors for Earth Day coalition and take part in literacy programs in local schools to promote environmental awareness (www.authorsforearthday.org).

10. Submit to book publishers that help reduce our carbon footprint. For example, EDGE Science Fiction and Fantasy Publishing donates a percentage of sales to plant new trees, and Random House started upping their use of recycled paper to save trees and lower greenhouse gas emissions.

From recycling cans to switching to online bills, there are many ways we can be more “green.” And as writers, we can literally spread the environmental word and celebrate nature through our life’s work. We can also help the publishing industry limit its environmental impact by supporting eco-friendly practices and technology.

Happy Earth Day!


Writer QuestionsQUESTION: What other changes can writers make to conserve and protect our resources? 

 

 

writers, environment issues

In honor of Earth Day (April 22), we wanted to take a moment to post some information about the Green Press Initiative, a group that fights for good use of resources in the publishing industry.

According to the Green Press Initiative:

The U.S. book and newspaper industries combined require the harvest of over 120 million trees each year and emit over 40 million metric tons of C02 annually; equivalent to the annual CO2 emissions of 7.3 million cars.

People who read and write regularly about the world around them will often find themselves writing about their environments. The Green Press Initiative calls on writers, publishers, and booksellers to work toward a more environmentally conscious publishing industry.

According to their Facebook page:

Green Press Initiative’s work has helped to bring about a sixfold increase in recycled fiber use in the U.S. book industry—that’s a reduction of over 1.4 million tons of greenhouse gas emissions and nearly 3 million trees per year!

Do you want to get involved? Check out their website today.